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A very large temple, with its walls pierced in Persian patterns, contains fifty-two chapels behind pointed arches. In each chapel are four gods, all alike, of white plaster, all decked with the same jewels. In an angle of the vaulting a female figure, carved in the stone and wearing a tiara, holds an infant in her arms; this statue, with its long face and the rigid folds of the drapery, might have been transferred here from a gothic building.

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It was melancholy to return under the gloomy, spreading banyans, through the dimly-lighted suburbs, where the people were still at work and selling their wares; and the dungeon, the dead stones, the guns now for ever silenced and pointed at vacancy, were lost in blue darkness.
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Slider 3 ONE:We drove across a succession of parks to visit[Pg 175] Sumer Mundir, a too elaborately carved temple, the panels representing scenes from the Ramayana set in ornamental borders. On the roof, which bristled with sculptured stone, thousands of blue pigeons were perched asleep, their iridescent plumage scarcely stirring in the sunshine. Beyond a tank at the end of the park was a palace in the Arab style with incredibly delicate ornaments of wrought marble, open halls painted in subdued colouring, and lighted by the golden reflections from the water. The pool had steps all round it, in which crowds seat themselves on the occasions of pilgrimage, and far away the enchanting vision of Benares, the holy city, in every shade of amber and honey.At Byculla in the evening we went to Grant Road, the haunt of the street beauties, where the gambling-houses are. At the open windows under the lighted lamps were coarsely-painted women dressed in gaudy finery. In the entries were more of such women, sitting motionless in the attitude of idols; some of them real marvelsthin, slender bronze limbs scarcely veiled in dark, transparent gauze, gold rings round their neck and arms, and heavy nanparas on their ankles.

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THREE:In the heart of Girgaum, one of the suburbs of Bombay, at the end of a street, under a large areca palm an old man was selling grain and rice in open baskets. A whole flight of bickering sparrows settled on his merchandise, and he looked at them with happy good humour without scaring them away.The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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THREE:Here, a white marble mosque with three flights of open arcades, with white domes to roof it, is paved with rectangular flags, each bordered with a fillet of black marble ending in an arch-like point, immovable prayer-carpets turned towards Mecca. Behind the marble lattices that form one wall of this mosque, the women of the zenana come to hear the moollah recite prayer.

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THREE:The gardens are overgrown with exuberant tropical vegetation: orchids, daturas hung with their scented purple bells, gardenias and creepers; and yet what the brother of a London friend, on whom I am calling, shows me with the greatest pride, are a few precious geraniums, two real violets, and a tiny patch of thickly-grown lawn of emerald hue.

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ONE:A roofless mausoleum is that of the Sultan[Pg 221] Altamsh, who desired to sleep for ever with no vault over his tomb but that of the heavens; a vast hall, its walls wrought with inscriptions in Persian, Hindostanee, and Arabic, built of brick-red granite and yellow marble softened to pale orange in the golden sunshine. Here and there traces may be seen of wall-paintings, green and blue, but quite faded, and now merely a darker shadow round the incised ornament. Hibiscus shrubs mingle their branches over the tomb and drop large blood-red blossoms on the stone sarcophagus. Further on is another mausoleum, in such good preservation that it has been utilized as a bungalow for some official.All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.

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THREE:DERWAL

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ONE:In the street of native shops the possible purchaser is attacked by storm, every voice yelps out prices. The dealers scrambled into my carriage with a whole catalogue of bargains poured out in a mixed lingo, and with such overpowering insistence that I had to fly. An electric tram-car, provided with a loud bell that rings without ceasing, runs through the suburbs, a dirty swarming quarter[Pg 140] where the streets are alive with naked children, fowls and pigs wallowing in heaps of filth and the mud made by watering the road."Ah, your Kali, then?"

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THREE:The same ubiquitous terminus on a sandy plain, remote from everything; then a drive jolting through bogs, and we reached the dirty, scattered town crowded with people who had collected round a sort of fair with booths for mountebanks, and roundabouts of wooden horses.[Pg 110]

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THREE:In one room we heard musicguzlas, drums, and a vina. There were three dancing-girls. At first they only performed the Indian "goose-step," the slow revolutions growing gradually quicker. But urged by the soldiers who filled the room and beat time with their sticks on the floor, the nautch-girls marked their steps, wriggled with heavy awkward movements, and tried to dance a Highland jig, taught by two Scotch soldiers.In booths between these houses, the gamblers, standing round a board with numbered holes, were watching the ball as it slowly spun round, hit the edge, seemed to hesitate, and at last fell into one of the cups. Four-anna pieces, ten-rupee notesanything will serve as a stake for the Hindoo ruffian in a starched shirt-front, low waistcoat and white tie, above the dhouti that hangs over his bare legs; or for the half-tipsy soldier and sailor,[Pg 28] the cautious Parsee who rarely puts down a stake, or the ragged coolie who has come to tempt fortune with his last silver bit.

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THREE:Far up the hill, and for a long time, the clanging brass and sharp cries followed me on my way all through the afternoon, and I could picture the dancing women, the Lama under his gleaming brass hat, turning his praying-wheel beneath his bower of branches and papers fluttering in the wind; and[Pg 150] not till dark did the whole party break up and go back to Darjeeling; the poorer women, on foot, all a little tipsy, danced a descending scale that ended occasionally in the ditch; the richer ladies, in thin dark satin robes with wide sleeves all embroidered in silk and gold, and their hair falling in plaits from beneath a fillet of red wood studded with large glass beads, fitting tightly to the head, rode astride on queer little horses, mostly of a dirty yellow colour, that carried them at a brisk amble. Their husbands, extremely attentive, escorted the dames, some of whom gave noisy evidence of the degree of intoxication they had reached. The least blessed had but one husband, or perhaps two; but the more fortunate had a following of as many as six eager attendants, whom they tormented with incessant scolding.A vision of Europe. Cottages surrounded by lawns under the shade of tall trees, and against the green the scarlet coats of English soldiers walking about. And close about the houses, as if dropped there by chance, tombs covered with flagstones and enclosed by railings, and on all the same date, June or July, 1857. Further away, under the trees, are heaps of stones and bricks, the ruins of mosques and forts, hardly visible now amid the roots and briars that look like the flowery thickets of a park, varied by knolls to break the monotony of the level sward. In the native town that has grown up on the site of the palace of Nana Sahib, built indeed of the[Pg 186] ruins of its departed splendour, dwell a swarm of pariahs, who dry their rags and hang out clothes and reed screens over every opening, living there without either doors or windows, in utter indifference to the passer-by.

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THREE:The rajah's sleeping-room has at one end a dais ascended by three steps; here the sovereign's bed used to be spread; and here, now, the judges of the Supreme Court have their seats. In the middle of the room was a confused array of benches and tables, and against the walls, also washed with yellow, hung a series of portraits of bewigged worthies.

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ONE:The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.

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TWO:There is a never-ending traffic of elephants, baggage-camels, and vehicles with shouting drivers; and on the ground are spread heaps of fruit, baskets for sale, glass baubles and weapons. In all the pink and white throng not an European dress is to be seen, not even one of the vile compounds adopted by the baboo, a striped flannel jacket over the dhoti. Men and women alike wear necklaces of flowers, or flowers in their hair; the children are gaudy with trinkets and glass beads.Beyond the outermost wall, when we had at last left it behind us, at the foot of the pile of terra-cotta-coloured bricks, were vast tanks of stagnant water, said to be inexhaustible. Near them was a shrine to Siva, with two small idols hung with yellow flowers, where an old Hindoo was praying devoutly; and then through a park of giant trees, and shrubs bright with strange blossoms, over which the parrots flew screaming.

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TWO:We drove across a succession of parks to visit[Pg 175] Sumer Mundir, a too elaborately carved temple, the panels representing scenes from the Ramayana set in ornamental borders. On the roof, which bristled with sculptured stone, thousands of blue pigeons were perched asleep, their iridescent plumage scarcely stirring in the sunshine. Beyond a tank at the end of the park was a palace in the Arab style with incredibly delicate ornaments of wrought marble, open halls painted in subdued colouring, and lighted by the golden reflections from the water. The pool had steps all round it, in which crowds seat themselves on the occasions of pilgrimage, and far away the enchanting vision of Benares, the holy city, in every shade of amber and honey.

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TWO:The children of the bazaar watched them pass, holding out in their fingers scraps of foodthe remains of cakes, green fruit, or handfuls of rice, and the famishing creatures quarrelled for the morsels, frightening the little ones, who fled. Then they disappeared silently under the awnings, filling the air with a smell of dust and pepper, scaring the pigeons away from the pool for ablutions, and the birds fluttered up in dismay in the rosy sunset glow, seeking some other refuge for the night.

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ONE:A muffled sound of instruments, mingling in confusion in the myriad echoes, came dying on my ear, hardly audible. A gleam of light flashed in the corridor and then went out. Then some lights seemed to be coming towards me, and again all was gloom. An orchestra of bagpipes, of kemanches and darboukhas sounded close by me, and then was lost in the distance, and the phantasmagoria of lights still went on. At last, at the further end of the arcade where I was standing, two men raised green-flamed torches at the end of long poles, followed by two drummers and musicians playing on bagpipes and viols. Children squatting on the ground lighted coloured fire that[Pg 118] made a bright blaze, and died out in stifling smoke, shrouding the priestsa cloud hardly tinted by the torches.In one of the inmost circles, a sacred elephant had gone must, breaking his ropes, and confined now by only one leg. The chains fastened round his feet as soon as he showed the first symptoms of madness were lying broken in heaps on the ground. The brute had demolished the walls of his stable and then two sheds that happened to be in his way; now he was stamping a dance, every muscle in incessant motion, half swallowing his trunk, flinging straw in every direction, and finally heaping it on his head. A mob of people stood gazing from a distance, laughing at his heavy, clumsy movements; at the least step forward they[Pg 113] huddled back to fly, extending the circle, but still staring at the patient. In an adjoining stable were two more elephants very well cared for, the V neatly painted in red and white on their trunks, quietly eating and turning round only at the bidding of the driver; but one of them shed tears.

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Close to us on each level spot of the scarped rock was a little fortified look-out where three or four soldiers kept watch, with here and there a larger tower, reached only by a ladder, and in these six or eight men.Beyond Siliguri, where we left the main line, a little toy railway, going very slowly, jostles the travellers across rice plantations and woods of giant trees, under whose shade tree-ferns expand on the banks of the streams. By the side of the water springs are hung prayers written on strips of rice-paper that flutter in the wind from the shrubs and bamboos, mingling with the blossoms of rhododendron and funkia, spots of bright colour showing against the forest of mighty cedars and sycamores and gloomy palms. Clinging to the highest branches, orchids like birds are to be seen, and from bush to bush hang bright green threads covered with white stars, tangled into hanks and hooked on to every thorn. The vegetation of banyans, ph?nix, and other tropical plants gradually becomes mixed with oak, box, and plane trees, and then disappears altogether as we get higher; and presently, as we pass through a belt of great dark firs, the shrubs, the mosses, and even the flowers are those of Europe. Higher up, the mountain side is mapped out into lines and squares, green and russet, looking from a distance[Pg 146] like ribbed velvet; these are the tea plantations. The horizon grows broader, spreading away and out of sight towards the vision-like mountains forming the outposts of the Himalayas; up to the very verge of the eternal snows they are cultivated in the same rib-like strips, all tea plantations; and amid the shrubs are the little factories where the precious leaves are dried, and villages of little homesteads lost among the greenery, or peeping through the opalescent haze, intensely blue under the pure, cold sky and crude sunshine. The natives here wear skins with the fur inside; the leather outside is patterned with red or blue cloth. Men and women alike go about in felt boots, which give them an unsteady and straddling gait.The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.A funeral came pushing past me in the silence of this sleeping district: the body, wrapped in red, hung from a bamboo that rested on the bearers' shoulders. No one followed him, and the group disappeared at once in the deep gloom of the narrow alley.The rajah's sleeping-room has at one end a dais ascended by three steps; here the sovereign's bed used to be spread; and here, now, the judges of the Supreme Court have their seats. In the middle of the room was a confused array of benches and tables, and against the walls, also washed with yellow, hung a series of portraits of bewigged worthies.At the end of a quarter of an hour the princes drove off through a great cloud of white dust sparkling in the sun, and raised by the carriages and the escort of armed sowars.Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.
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